Indie Next ListSeptember 2011
Ward writes with a power and depth of feeling that is both rare and exhilarating. Her novel about 12 days in the life of a poor black family living on the Mississippi coast as a hurricane gathers in the gulf displays the gifts of a writer with exceptional skill and no fear. The characters seem almost to claw their way off the pages, so vividly has Jesmyn Ward created them. This is a novel of flesh and blood, heart and soul, dreams and terrors that I will not soon forget. -- Stan Hynds, Northshire Bookstore, Manchester Center, VT
Winner of the 2011 National Book Award
A hurricane is building over the Gulf of Mexico, threatening the coastal town of Bois Sauvage, Mississippi, and Esch's father is growing concerned. A hard drinker, largely absent, he doesn't show concern for much else. Esch and her three brothers are stocking food, but there isn't much to save. Lately, Esch can't keep down what food she gets; she's fourteen and pregnant. Her brother Skeetah is sneaking scraps for his prized pitbull's new litter, dying one by one in the dirt. Meanwhile, brothers Randall and Junior try to stake their claim in a family long on child's play and short on parenting.
As the twelve days that make up the novel's framework yield to their dramatic conclusion, this unforgettable family-motherless children sacrificing for one another as they can, protecting and nurturing where love is scarce-pulls itself up to face another day. A big-hearted novel about familial love and community against all odds, and a wrenching look at the lonesome, brutal, and restrictive realities of rural poverty, Salvage the Bones is muscled with poetry, revelatory, and real.
About the Author
Jesmyn Ward grew up in DeLisle, Mississippi. She received her MFA from the University of Michigan, where she won five Hopwood awards for essays, drama, and fiction. A Stegner Fellow at Stanford, from 2008-2010, she has been named the 2010-11 Grisham Writer-in-Residence at the University of Mississippi. Her debut novel, Where the Line Bleeds, was an Essence Magazine Book Club selection, a Black Caucus of the ALA Honor Award recipient, and a finalist for both the VCU Cabell First Novelist Award and the Hurston-Wright Legacy Award.
Praise for Salvage the Bones…
The first great novel about Katrina.
[A] searing, understated, and big-hearted novel.
Salvage the Bones is an intense book, with powerful, direct prose that dips into poetic metaphor . . . We are immersed in Esch's world, a world in which birth and death nestle close, where there is little safety except that which the siblings create for each other. That close-knit familial relationship is vivid and compelling, drawn with complexities and detail.
I've just read [Salvage the Bones] and it'll be a long time before its magic wears off...Ward winds private passions with that menace gathering force out in the Gulf of Mexico. Without a hint of pretention, in the simple lives of these poor people living among chickens and abandoned cars, she evokes the tenacious love and desperation of classical tragedy . . . A palpable sense of desire and sorrow animates every page here . . . Salvage the Bones has the aura of a classic about it.
A timeless tale of a family that regains its humanity in the face of incalculable loss.
Jesmyn Ward has claimed her place both as a contemporary witness of life in the rural south and as a descendant of its great originals.
The narrator's voice sparks with beauty as it urges the reader through this moving story set in the shadow of Katrina.
Jesmyn Ward has written . . . the first Katrina-drenched fiction I'd press upon readers now.
Ward's redolent prose conjures the magic and menace of the southern landscape.
The novel's power comes from the dread of the approaching storm and a pair of violent climaxes. The first is a dog fight, an appalling spectacle given emotional depth by Skeetah's love for the pit bull China (their bond is the strongest and most affecting in the book). When the hurricane strikes, Ms. Ward endows it, too, with attributes maternal and savage: 'Katrina is the mother we will remember until the next mother with large merciless hands, committed to blood, comes.'
From its lyrical yet visceral first scene, this novel had me, and I hardly dared to put it down for fear a spell might be broken. But it never was or will be; such are the gifts of this writer.
Without a false note . . . A superbly realized work of fiction that, while Southern to the bone, transcends its region to become universal.
With her tough, tense and taut tale of one rural family's bitter and bloody fight for survival in the days leading up to Hurricane Katrina, [Ward] has secured herself a place among such other great Southern writers as Flannery O'Connor, Harper Lee and William Faulkner. Ward's electrifying, exhilarating, edge-of-your-seat second novel, Salvage the Bones, takes us into the naked heart of one Southern family struggling for both survival and identity. With prose both powerful and poetic, Ward has imagined an unforgettable family.
Ward uses fearless, toughly lyrical language to convey this family's close-knit tenderness [and] the sheer bloody-minded difficulty of rural African American life . . . It's an eye-opening heartbreaker that ends in hope . . . You owe it to yourself to read this book.
Few works of fiction can capture the heart-wrenching emotions attached to a natural disaster, and fewer still can do it in a way that seems palpable and fresh. Salvage the Bones, the latest by rising star Jesmyn Ward, accomplishes this feat, and then some . . . From beginning to end, Jesmyn flirts with perfection in this stunning second novel, and the reader is rewarded for it.
A pitch-perfect account of struggle and community in the rural South . . . Though the characters in Salvage the Bones face down Hurricane Katrina, the story isn't really about the storm. It's about people facing challenges, and how they band together to overcome adversity.
[Salvage the Bones] is uncompromising and frank, showing both beauty and violence, poverty and resilience, in a powerful and poetic voice.